Making it Work

I am secretly (maybe not so secretly) addicted to Project Runway. Sometimes, watching the show, I've thought, what if there was such a contest for writers? Would I get to the writers' equivalent of fashion week if required to produce a well constructed, cleverly plotted tale in a genre outside my comfort zone?

Last weekend, I attended Weekend on the Water, a three day writing retreat hosted by the Western Washington SCBWI region. During the course of "Going Deeper" into plot, character, setting and voice, we attendees did a lot of writing exercises. In one, we wrote a description of a gothic cemetery, then were asked to re-write that description, adding a teenage girl who had just been asked on her dream date.

It was as if Ruta Rimas morphed into Heidi Klum, asking me to make a red-carpet ballgown from plastic grocery sacks.

But the point of that exercise, and everything else presented by Ruta, assistant editor with Balzar+Bray/HarperCollins, and Cheryl Klein, senior editor at Arthur A. Levine/Scholastic, was to explore our writing more deeply. How well do we know our characters? How does setting affect their behavior? Does the voice we've chosen bring the reader close enough to the story?

The two extraordinary editors presented for a total of five and a half hours each during the weekend, as well as providing first page intensives for everyone. And retreat organizers Joni Sensel, Laurie Thompson and Jolie Stekly did an outstanding job keeping us on time and comfortable. I left with a new feeling of energy for revising my novel, and deeper insights into the creative process.

--cross-posted from Under the Covers

Another great conference!

Many thanks to the organizers of the Washington-Idaho region for putting on another great conference. Mary Kate Castellani, Assoc. Editor of Walker Books, YA novelist Terry Trueman, Author/Illustrator Richard Jesse Watson and middle grade novelist Judy Gregerson all shared their expertise on the craft and business of writing. All of us who attended appreciate the time and generosity of these great presenters. See you next year! --Mari

SCBWI NonFiction Grant

James Cross Giblin Award

The phone rang as I tossed sautéed vegetables with pasta. My husband said, “It’s for you. It’s Sue Burgess.”

I thought of reminding him I never take phone calls when I’m cooking dinner. But Sue Burgess rang a bell. The name piqued my curiosity.

Sue told me she was calling to announce I had won this year's Society of Children’s Book Writers and Illustrators Nonfiction Work-in-Progress Award.

“You’re kidding,” I screamed. So much for original phrasing. She said she wasn’t.

“I can’t believe it,” I screamed. “I’m so excited.” My family stood in the kitchen staring at me. “Thank you. Thank you.” I kept screaming. Sue probably began to wonder if the $1500 shouldn’t go to someone with a few more words in their vocabulary. But she was very kind and said she loved making calls like this.

I don’t know if the pasta dish was finished, or if anybody ate it. I told my family the good news, and then phone all my writing buddies to tell them.

The grant money will fund research for a biography on Fannie Sellins, an early 20th Century labor activist. Sellins had a passionate belief that workers deserved better lives and the charisma to convince them to believe it too. She knew coal miners would not give up their paycheck and walk a picket because their children would starve, so she found food and clothing for their families.

A compelling speaker, she stirred wild applause, often evoked tears and inspired hope. Hats filled with money for the union cause wherever she spoke. Ordered by a West Virginia judge to stop speaking in public, she refused. And went to jail.

She was so successful unionizing miners in Western Pennsylvania that coal company operators threatened her life. She refused to be bullied into leaving and was shot to death on the picket line in 1919.

I am passionate about telling this woman’s story and it means so much to me that the awards committee believes it’s worth publishing. The grant is endowed by SCBWI Board member James Giblin. The noted author and editor named the Anna Cross Giblin award after his mother who enthusiastically supported his own non-fiction writing for young people.

“I can’t imagine anything that would have given her greater satisfaction—or be more appropriate tribute to her memory….” Giblin says, than indirectly helping encourage other nonfiction writers.

~~Mary Cronk Farrell