India's Children's Book Trust

Seated with me is Ira Saxena, Secretary of the Associaition of Writiers and Illustrators for Children in New Delhi. She is also a volunteer for India's Children's Book Trust, an organization that publishes books for children in hundreds of local dialects and sponsors literacy programs along with IBBY through out India.

Manorama Jafa, the Vice President of AWIC invited me via email before coming to India to participate in their monthly meeting in which twenty or more writers attended. On this particular day, they celebrated their first Hindi dictionary for children, a book the Trust had published many years ago, but had been bought by a major publisher. Royalty checks were distributed to several of the authors who were present.

On a second visit to the Children's Book Trust, Ira Sazxena interviewed me for an article she will write for Indian IBBY Journal. Our discussion roamed from the craft of writing to the underlying theme of Sufism in my novel Anahita's Woven Riddle and our favorite translations of Persian poetry, which Ira grew up reading. Her mother translated the Sufi poetry of Omar Khayyam into Hindi. Ira, a child psychologist and children's book author is presently at work on a novel set in 1800's India with an environmental theme. "Did you know the world's first tree hugger was in India?" she said. I had never given much thought to the origins of this kind of activism and assumed it may have been in the California redwoods. I look forward to reading this novel. For more details about the Children's Book Trust, its volunteers, and my trip to India, please check out the Central Asian pages on my website www.meghannuttallsayres.com

Weaver's Perspective on Iran

Friends of the Moscow Library invited me to speak on Iran this August about my recent experience weaving on Iran's First World Peace Carpet and my novel set in Iran Anahita's Woven Riddle. To learn more about the Peace Carpet, a project sponsored by UNESCO, please check out the Iran or Weaving pages on my website.

Modeling this Iranian Qashqa'i nomadic headpiece is Homa Assefi, who attended my talk. Many thanks to Homa! This three-pieced covering evolved over many generations. The blue beanie has been worn for centuries along with the black sequined veil. In the 1960's teenagers added the tie-dye like scarves.

---Meghan Nuttall Sayres

Eliot Rosewater Award

Anahita's Woven Riddle was among 20 books considered for the 2008-2009 Eliot Rosewater Award, named after the fictional character in books by the Indiana-born author, Kurt Vonnegut, including probably the best known, God Bless You, Mr. Rosewater. The Award was established to honor Vonnegut and other Hoosier writers while at the same encouraging Indiana high school to read for fun and enjoyment.

High School students (grades 9-12) throughout Indiana vote each year on approximately 20 nominated books for the book they enjoy the most. Congratulations to Laurie Halse Anderson who won first place for her novel Twisted.

For more information and the nominee list:

http://www.ilfonline.org/Programs/eliotrosewaterprogram.htm

---Meghan Nuttall Sayres

Weaving Peace In Tehran

Easter Sunday I awoke to Tehran traffic outside my hotel window. Some wrestled the tangle of cars and pedestrians on their way to mass at the nearby Orthodox Church. I prepared for my own spiritual journey, the reason I had traveled through eleven time zones and half way around the world: to weave a knot on Iran’s World Peace Carpet, a project sponsored by UNESCO and the Cultural Heritage, Tourism and Handicraft Organization of Iran. For a tapestry weaver and author (my first novel was inspired by an Afshar tribal rug), tying a goodwill knot on this carpet, along with 700 others from 89 nations, seemed every bit as reverent as attending Easter Mass.

My desire to participate in the Peace Carpet stemmed from a long-held appreciation for Iranian culture, in particular its carpets and poetry, which are often literately woven together. On a visit to the carpet dealers’ bazaar in Tehran I discovered several carpets with phrases of Hafez, Ferdowsi and Sa’adi or pictorial images of these poets incorporated into the design.

I have always admired, if not romanticized, the lives of nomadic peoples and, like Iranian nomads, I learned to raise sheep, spin and dye wool with natural materials, and weave tapestries that are much like Persian gelims. I discovered that colors have meanings and rugs contain amulets against the evil eye. Themes such as these inspired my novel about a young nomadic carpet weaver, which in turn led to an invitation in 2005 to participate in Iran’s First International Children’s Book Festival. I remember how elated I had felt that February morning when my plane touched down on Iranian soil. In love with Iranian culture, I could hardly wait to meet its people, with whom I bonded readily during that trip, often more easily than with people of my own culture.

Thus, when I heard about this UNESCO peace project, I couldn’t think of a more perfect excuse to revisit these friends. It was also a way to release my long-held frustrations over the poor foreign relations between our countries and the palpable mistrust of Iranians among many Americans. I wanted to weave peace in Tehran.

Read more at: www.MeghanNuttallSayres.com